I decided that I would like to explore a more textiles-based
route, and looked into creating a garment inspired by the decayed appearance of
some of the artist’s work that I looked into. For example, I looked into
artists such as Karen Margolis (http://karenmargolisart.com/),
who’s burnt, layered work inspired me greatly, as I discovered that burning into fabric such as organza can have a brilliant effect in adding a ‘broken-down’ appearance to my work.
The most influential artist that I looked at, however, was Judith Hammond (https://judithhammond14.wordpress.com/). Judith uses plastic bags as her fabric, melting and stitching into the plastic to create some beautiful garments. I used this concept in my own work, and began to iron pieces of plastic carrier bags together between two sheets of grease-proof paper. Once layered up enough, this created a sturdy material that could be stitched into. I used mostly Sainsbury’s carrier bags, and their orange colour gave my work a coral-like effect.
My experimentation with plastic carrier bags eventually led
me to create a bralette. I used clear PVC for my base, and melted Sainsbury’s
bags to create the cups, and to add decoration to the rest of the piece. I
stitched into the bags in small areas, which I then cut out and hand stitched
in place on the bralette, using beads to decorate them. I also added a
combination of gold and silver foil to add some shine to the work. To make the
edges of the garment more interesting, I used a burning tool to melt away at
the PVC, inspired by the way Karen Margolis has burned areas in her own work. I
also burned away some of the areas of the plastic bag parts, adding to the
decayed look. I feel like the garment looks like something from under the sea,
as it reminds me greatly of coral.
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How did you get the orange plastic to have lots of holes in it like that?
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